I used to sign my work on the front but some years ago switched to the back or side in paintings. It just seems to make more sense to not mess up the image. When I had borders on my drawings I signed in the lower right hand corner. In prints I always sign on the front in the classic way. No one has ever asked me about this. I have a couple of clients that seem baffled by my lack of a front-signature. I don’t have a problem on certain kinds of my work, like drawings, or older figurative stuff, but feel it would be too distracting for me to see my signature on the front.
Where do Photographers Sign Prints?
Although their importance is often downplayed because nearly every piece of art has them, artist signatures are actually a big part of the way our art history and market function. In research terms, a signature is always one piece in a larger puzzle, but a piece which can make or break the validity and the value of an artwork. Aside from a few major artists who, for whatever reason, decided not to put signatures on their work, nearly all noteworthy individuals in history have had the habit of leaving their signature on their creations.
With that being said, let’s talk about why artist signatures are so vital to the way we construct arts history and run the art market , as well as, if you yourself dabble with art-making from time to time, why signing it should be the first thing you do after completing a work of art.
Artistic tradition. For centuries (millennia, even) artists have signed their art. The artist’s signature has become a key ingredient in the art-making.
Any mark you make on the canvas or support is part of the piece of work you are creating. Your signature should be seen in this light. Colour, size, placement, execution… it all matters as much as everything else on the painting. Your mark should identify you as the artist, compliment the painting and not distract from the work. It identifies the work as yours Most importantly, years from now, wherever that painting ends up, it can be identified as your work.
It honors the work Like framing, a signature honors the work. The work you do today will most likely not be as good as the work you will do in 5 years time. So what?
Want to be a Successful Artist? Sign Your Name!
Bonus Download: New to painting? Start with my free Beginner’s Guide to Painting. Such a simple thing, yet I just could not get my head around it. With some practice though I settled on a signature and by practice I mean hundreds of signatures on an old canvas.
Signing a print is like putting a cherry on an ice cream sundae. It is your prerogative as an artist to sign your work. I don’t even bother asking.
Ben Nicholson, O. Oil and pencil on board. All rights reserved, DACS Artists began switching from working on wooden panels to canvas in the 15th and 16th centuries because it enabled larger paintings. Painting on copper sheets also became fashionable in the 17th century. Stamps and labels from the suppliers of these materials can contain the names and addresses of their businesses.
Oil on oak panel. The reverse of a 16th-century oil painting panel showing the brand of the city of Antwerp — a pair of hands above a castle. Comparing the date the materials were purchased with the date the artist signed the finished work can even give you an idea of how long it took to complete. Soft wood, such as poplar, was used in Italy, while hard wood, for example oak, was used in Britain and the Netherlands. Another clue can be obtained from how the canvas is fixed to the stretcher — staples replaced nails after the s.
On gold ground panel. Private collectors throughout history have added their own names to the back of a work.
3 Reasons to Sign your Artwork and 2 Reasons Why I Choose Not To
I n the fast-paced contemporary art world we are currently immersed in, selling a work of art can occur in the blink of an eye. The sale is an exciting, invigorating process, but it is extremely important to include the proper documentation, to ensure the validity of your transaction. Perhaps one of the most essential documents you should include in the event of a sale of your work is a certificate of authenticity or COA.
Many artists wonder where to even begin in composing this crucial document.
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Signing a print is like putting a cherry on an ice cream sundae. A professionally shot, edited, printed, and produced photograph doesn’t feel quite right without the photographer’s signature on it. Some photographers prefer not to sign their prints for various reasons. The two most common reasons I’ve heard are because they are afraid their clients won’t want a signature mucking up their beautiful purchase, or because the photographer thinks he has an ugly signature. If you do want to start signing your prints, we’ll talk about a few different ideas and a good pen to use that I’ve had really great success with.
In general, landscape prints get signed and portrait prints don’t. As a landscape photographer, I like to have my signature on my prints because it is my work and I’m proud of it. Just like an author proudly displays her name at the bottom of her book cover, a photographer should be proud to claim their work as their own. I don’t even bother asking my clients if they want me to sign it, I just sign it as part of the production process.
In fact, I’ve never had anyone tell me they want a print unsigned, but have had a few buyers ask me to make sure I sign it. For a landscape print, there are several elements you CAN include with your signature. Any of these are optional and it doesn’t make your work any less professional if you just sign your name or even your initials. You could also sign with your initials if you have a long name, or concatenate your name, which most people do with their signatures.
What to look for on the back of a painting — an expert guide
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Agora Artist Cynthia Evers (left) posing with her sold artwork during the opening reception. Ideally, it should accompany every work of art you’ve constructed, regardless of Where exactly can i put my signature in the COA? I am just wondering if the date of authentication should be the same with the.
Edward Hopper July 22, — May 15, was an American realist painter and printmaker. While he is widely known for his oil paintings , he was equally proficient as a watercolorist and printmaker in etching. Both in his urban and rural scenes, his spare and finely calculated renderings reflected his personal vision of modern American life. He retired at age forty-nine. They were raised in a strict Baptist home. His birthplace and boyhood home was listed on the National Register of Historic Places in Hopper was a good student in grade school and showed talent in drawing at age five.
He readily absorbed his father’s intellectual tendencies and love of French and Russian cultures. He also demonstrated his mother’s artistic heritage. Hopper first began signing and dating his drawings at the age of ten. The earliest of these drawings include charcoal sketches of geometric shapes, including a vase, bowl, cup and boxes. It shows his early interest in nautical subjects.
Signing Dating Artwork
Tradition is fine and dandy, but there are also alternative methods to every aspect of signing prints. The biggest reason to sign a print is to show that you approve of it. It is of the highest quality, and it deserved to be viewed as fine art.
Artist signatures first became prevalent during the early Renaissance, Indistinctly signed, dedicated and dated ‘Tom Roberts / for / friend.
Last Updated: February 19, References. This article was co-authored by our trained team of editors and researchers who validated it for accuracy and comprehensiveness. There are 10 references cited in this article, which can be found at the bottom of the page. This article has been viewed , times. Learn more Art collecting is an expensive hobby, but some eagle-eyed aficionados can score valuable masterpieces at bargain-bin prices. Before buying an oil painting, check to make sure that the surface has texture.
When examining a watercolor piece, hold the painting at an angle and look for rough spots around the brush strokes. Reproduction prints are incredibly common, so use a magnifying glass to inspect potential purchases for printer dots. For advice on how to decide if an authentic painting is valuable, scroll down!
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Signing and dating prints
I happened to see a sanitation worker pick up a discarded painting I had left on top of my bin, look at it, break it over his knee, and toss it in the truck. A harsh critique, indeed. I find destroying them myself and putting them in a trash bag much less humbling. Like Robert, you simplify forms into abstract shapes for an overall joyful, fascinating effect.
The artist will usually also have provided a title or date. And sometimes more besides. ‘As well as signing, naming and dating his works on the.
Then, at my workshop in California last weekend, I got the same question. Must be others out there who want to know the answer so here it is. Strangely enough, historians like dates! If you inventory your artwork as it’s created, you’ll also have a record of the months and days. The latter isn’t as important, but it could end up being a bit of interesting data if you’re quite prolific. The date might not seem that important to you right now, but why risk it?
Plan for the future and the big dreams.
Debate: Should You Include a Date on Your Artwork?
Many of you who have been following me will know that I discourage artists from including dates on their artwork. Dear Jason, As a Museum Director, I vehemently disagree with not putting the date created on pieces of work in a portfolio. Why do you suggest that?
Some artists sign their names clearly in full. bearing the signature and date ‘A. Pether ‘, sold at Bonhams, suggested that he was right.
How can you tell if a painting is a modern forgery? Midth-century nuclear bomb tests may hold a clue. For years, scientists have been refining techniques to determine the age of a painting using radiocarbon dating and the lingering effects of the tests. Now, a team of researchers has dated one such artwork using a paint chip the size of a poppy seed, according to a study published on Monday in The Proceedings of the National Academy of Sciences.
Developed in the s , radiocarbon dating allows scientists to determine the age of a wide range of materials — including fossils , cave paintings , parchment and even human remains — by examining the types of carbon atoms they contain. Atoms of a single element but of different masses are known as isotopes. The carbon 12 and carbon 13 isotopes are stable, while carbon 14 is unstable.
The mix of those isotopes is consistent among living things, but once organic matter dies its carbon 14 atoms decay. As a result, scientists can determine the age of dead organic matter up to tens of thousands of years old by calculating the ratio of those carbon isotopes. But that formula was drastically disrupted a little over half a century ago, with the advent of nuclear testing. Carbon 14 is naturally created when high-energy cosmic rays collide with nitrogen atoms in the atmosphere.
But the powerful aboveground nuclear bomb tests of the mids created even more carbon 14 isotopes out of that atmospheric nitrogen.